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Gallery

Dublin: A City of Contrasts’ (2007)
Series of oil paintings by Caoimhghin Ó Croidheáin

The Dublin of today is a far cry from the Dublin of the 1980s when it was said to resemble London directly after the Second World War, so numerous were its run-down buildings and empty sites.


The Long Haul Home, Capel St, Dublin
Oil on canvas
70cm x 100cm

In the last 10-15 years much of the city has been renovated or rebuilt. The success of the ‘Celtic Tiger’ has given the Irish people historically unprecedented wealth and attracted many immigrants from all over the world.


Delivering Diversity, South William St, Dublin
Oil on canvas
60cm x 80cm

This can all be seen in a brief walk around the city centre. The new (and expensive) cars glide past African and Polish shops while people from many different ethnic and cultural backgrounds mingle around the Spire and the GPO on O’Connell St.  


O'Connell Bridge, Dublin
Oil on canvas
80cm x 120cm

The Dublin we see today is a snapshot in time, hiding its past while only leaking hints of where its future will lie.

Meet you at the Spire, O'Connell St, Dublin
Oil on canvas
50cm x 60cm

For example, the new O’Connell St with its squared-off designer trees and generous paving hides the felling only the year before of a row of 100-year-old trees that witnessed the 1916 Easter Rising.


Anxious Liberty, Butt Bridge, Dublin
Oil on canvas
60cm x 70cm

Looking to the future it seems likely that Liberty Hall, Dublin’s only modernist ‘skyscraper’ and prominent if unloved symbol of Dublin, will be demolished soon in favour of a more modern or even postmodern replacement.


Boardwalk and Bored Driving, Bachelor's Walk, Dublin
Oil on canvas
60cm x 80cm

The Dublin of today has many contrasts, symbolic of shambolic planning yet with many hopeful idealists struggling against the odds. Witness the Liffey Boardwalk in contrast with the traffic-jammed quays; the huge reduction of plastic signs (the scourge of the 1970s and 1980s) in contrast with the monotony of quick-rise apartment block and shopping centre developments.  

The Temporary Sanity of the Pedestrian Crossing, Dublin
Oil on canvas
50cm x 60cm

Yet older areas of the city like Moore St and Parnell St, which were going into decline as the more affluent Irish moved to greener pastures, are seeing extraordinary multicultural changes as immigrants set up shops and restaurants with a never-before-seen range of food, goods and menus.

Global Market, Moore St, Dublin
Oil on canvas
60cm x 80cm

Indeed the culinary tastes of the new visitors and inhabitants have created a demand for exotic vegetables, fruit and seafood never even contemplated by their Irish neighbours.


Brinks Van, Grafton St, Dublin
Oil on canvas
60cm x 70cm

The relatively recent wealth of Dublin and many of its citizens (symbolized by the number of Brinks vans leaving the cosmopolitan Grafton St as shoppers enter it) may also be a snapshot in time as the uncertain economic future of rising interest rates, peak oil, and global warming threatens to bring the whole economic façade tumbling down like the crumbling slum dwellings of the 1960s.


Larkin's Despair, O'Connell St, Dublin
Oil on canvas
60cm x 80cm

The statues of historical figures such as Jim Larkin, Daniel O’Connell, Charles Stewart Parnell, and James Connolly look down on a new city that sits uncomfortably with their varieties of nationalism and socialism.


Parnell's Providence, O'Connell St, Dublin
Oil on canvas
60cm x 80cm

These symbols of the past, standing in silent judgment of the follies of the present, act as control rods in the current economic fission reminding its old and new, wealthy and poor citizens alike of past struggles and hardships. 


Great Famine Memorial, Custom House Quay, Dublin
Oil on canvas
50cm x 60cm

The aim of this series is threefold:
1 To depict Dublin as it is in this moment in time, recording current states, trends and aspects that we take for granted but can change tomorrow.
2 To examine particular contrasts that have emerged due to current levels of wealth and immigration. 
3 To represent aspects that symbolize positive developments for the future of Dublin and all of its inhabitants.